Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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LANFRANCO, Giovanni
Hagar in the Widerness (mk08)

ID: 21532

LANFRANCO, Giovanni Hagar in the Widerness (mk08)
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LANFRANCO, Giovanni Hagar in the Widerness (mk08)


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LANFRANCO, Giovanni

Italian painter (b. 1582, Parma, d. 1647, Roma). Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger   Related Paintings of LANFRANCO, Giovanni :. | Hagar in the Wilderness | Banquet with a Gladiatorial Contest | Coronation of the Virgin with St.Augustine and St.William of Aquitaine (mk05) | Recreation by our Gallery | The Ecstasy of St.Margaret of Cortona |
Related Artists:
Victor Forsell
painted Motiv fran Stockholms omgivningar in 1846-1931
Conrad Faber von Kreuznach
painted Portrait of Johann von Glauburg in 1545
Miller, Kenneth Hayes
American Painter, 1876-1952 American painter and teacher. He studied with Kenyon Cox and William Merritt Chase before travelling to Europe in 1899. In the same year he also joined the staff of the New York School of Art. In 1911 he moved to the Art Students League, where he taught intermittently until 1951. As leader of the 14th Street school of urban genre painting, Miller was one of the most influential teachers of American artists since Robert Henri; his students included Isabel Bishop, Edward Hopper, George Bellows, Reginald Marsh and George Tooker (b 1920). His early work consists of romantic depictions of nude or semi-nude figures inhabiting dreamlike landscapes






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